Hamilton at the Keller 2025- The BEST Performance I’ve EVER Seen

This post may contain affiliate links which gives us commission at no additional cost to you. We may also feature items we received for review.

From the moment the first notes of Hamilton rang through Keller Auditorium, it was clear: this wasn’t just another Broadway show. This was the Broadway show. The kind that leaves you breathless, stunned, and questioning how mere mortals can command a stage with such raw, electric talent. I’ve seen Hamilton multiple times, but nothing—nothing—prepared me for this performance.

I leaned over to my friend very early on, and we both agreed that there was just something “extra” about this cast that we could feel immediately. The choreography had a little more edge, a little more steam, the cast had a little more chemistry, and the show overall had a bit more of a seductive, jazzy feel to it from the voices, to the footwork, to the incredible orchestra- something that can only be truly felt if you go see it yourself (hint, hint- wink, wink).

Let’s start with the absolute standout of the night: Jorrel Javier. Stepping into the roles of both Lafayette and Thomas Jefferson, he didn’t just perform—he devoured the stage. His Lafayette was rapid-fire brilliance, and his Jefferson? Pure, swaggering, scene-stealing perfection. If you didn’t know he was an understudy, you never would have guessed. I swear he was meant for this role!

And then there was Blaine Alden Krauss as Alexander Hamilton. Holy. Shit. His performance was nothing short of revelatory. Every note, every moment, every ounce of ambition and desperation in Hamilton’s journey—it was alive in a way I’ve never experienced before.

Deon’te Goodman as Aaron Burr? Forget everything you thought you knew about the role. His Burr was haunting, charismatic, and layered with such deep, quiet intensity that you couldn’t take your eyes off him. “Wait For It” wasn’t just a song—it was a masterclass in storytelling. I had never picked up on the true mental anguish and anxiety of this song before, he brought a whole new understanding of it to me last night in the most heartbreaking and raw way.

Jisel Soleil Ayon’s Angelica Schuyler had the most effortless vocals I have ever heard. The first notes she belted out had me and my friend lock eyes with pure excitement for her role! Her performance of “Satisfied” was exactly that—completely satisfying, and then some. She delivered every line, every run, every emotion with the kind of confidence that makes you want to stand up and cheer mid-song.

And then, Kendyl Sayuri Yokoyama as Eliza. My God. Her chemistry with Krauss’ Hamilton was palpable, and her voice? Shattering. “Burn” was a gut punch, and “Who Lives, Who Dies, Who Tells Your Story” left me openly crying in my seat. She didn’t just play Eliza—she became her.

Beyond the cast, this production was a masterclass in why Hamilton isn’t just a musical—it’s a phenomenon. The choreography remains some of the most intricate and emotionally charged movement ever put on stage. The music, under the direction of James Davis Jr. (who was ALSO on keyboard 1, mind you!), hit just as hard live (if not harder) than it does on the cast recording. And watching it all unfold in real time, with the energy of a live audience, made it vastly different from the Disney+ version. Seeing it on screen is one thing—feeling it in person is another experience entirely.

If you’re in Portland, do not miss this. Hamilton runs at Keller Auditorium from March 4 through March 23, and tickets are available now at www.BroadwayinPortland.com. But if you’re hoping for a chance to snag a seat without breaking the bank, here’s some good news: there’s a ticket lottery! Forty $10 seats will be available for each performance, with details found on LuckySeat.com or in the Hamilton App.

There’s a reason Hamilton has become a cultural touchstone. It’s a revolutionary blend of history, hip-hop, and heart that doesn’t just tell a story—it demands to be felt. And this cast? This cast delivers. Whether you’re seeing it for the first time or the fifteenth, this production proves why Hamilton is, and always will be, the show to see.

Ticket and Show Info:

Additional Show info and tickets can be purchased HERE

Tuesdays @ 7:30pm
Wednesdays @ 7:30pm
Thursdays @ 7:30pm
Fridays @ 7:30pm
Saturdays @ 2pm and 8pm
Sundays @ 1pm and 7pm

The Accessible performances are as follows:

American Sign Language Interpreted

Thursday, March 6 @ 7:30pm
Friday, March 14 @ 7:30pm
Tuesday, March 18 @ 7:30pm

Audio Described

Friday, March 7 @ 7:30pm
Wednesday, March 12 @ 7:30pm

Open Caption

Sunday, March 9 @ 7pm
Saturday, March 15 @ 2pm
Wednesday, March 19 @ 7:30pm

Producer Jeffrey Seller and Broadway in Portland announce today that HAMILTON is coming back to Portland’s Keller Auditorium from March 4 through March 23.

Tickets are on sale now and are available on-line at www.BroadwayinPortland.com.  Tickets are available for groups of 10 or more for select performances by calling Group Sales at 503-295-3509 or by email at GroupSales@PortlandOpera.org. There is a maximum purchase limit of nine tickets per account for the engagement. There will be a lottery for 40 $10 seats for all performances. Details will be announced closer to the engagement.

Jeffrey Seller notes, “It’s tempting to get tickets any way you can. There are many sites and people who are selling overpriced, and in some cases, fraudulent tickets. For the best seats, the best prices and to eliminate the risk of counterfeit tickets, all purchases for the Portland engagement should be made through BroadwayinPortland.com.”

A revolutionary story of passion, unstoppable ambition, and the dawn of a new nation. HAMILTON is the epic saga that follows the rise of Founding Father Alexander Hamilton as he fights for honor, love, and a legacy that would shape the course of a nation.

Based on Ron Chernow’s acclaimed biography and set to a score that blends hip-hop, jazz, R&B, and Broadway, HAMILTON has had a profound impact on culture, politics, and education. In addition to its 11 Tony Awards, it has won Grammy®, Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

HAMILTON features book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire.

HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.

The HAMILTONOriginal Broadway Cast Recording is available everywhere nationwide. 

Broadway in Portland is a partnership between Portland Opera and Broadway Across America.

For information on HAMILTON, visit: HamiltonMusical.com. Follow HAMILTON on Facebook, Instagram, Twitter/X & TikTok @HamiltonMusical.